1. Adelaide Research & Scholarship
  2. Schools and Disciplines
  3. Elder Conservatorium of Music
  4. Music publications, scores & recorded works
Please use this identifier to cite or link to this item: https://hdl.handle.net/2440/22999
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DC FieldValueLanguage
dc.contributor.authorCarroll, M.-
dc.date.issued2002-
dc.identifier.citationMusic and Letters, 2002; 83(4):590-606-
dc.identifier.issn0027-4224-
dc.identifier.issn1477-4631-
dc.identifier.urihttp://hdl.handle.net/2440/22999-
dc.description© Oxford University Press-
dc.language.isoen-
dc.publisherOxford Univ Press-
dc.source.urihttp://ml.oxfordjournals.org/cgi/content/abstract/83/4/590-
dc.titleCommitment or abrogation? Avant-garde music and Jean-Paul Sartre's idea of committed art-
dc.typeJournal article-
dc.identifier.doi10.1093/ml/83.4.590-
pubs.publication-statusPublished-
Appears in Collections:Aurora harvest 2
Music publications, scores & recorded works

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