1. Adelaide Research & Scholarship
  2. Schools and Disciplines
  3. Elder Conservatorium of Music
  4. Music publications, scores & recorded works
Please use this identifier to cite or link to this item: https://hdl.handle.net/2440/31562
Full metadata record
DC FieldValueLanguage
dc.contributor.authorCarroll, M.en
dc.date.issued2003en
dc.identifier.isbn0521820723en
dc.identifier.urihttp://hdl.handle.net/2440/31562-
dc.description.tableofcontentsIntroduction: issues and perspectives -- 1. Back to the future: Nabokov’s selection criteria for L’Oeuvre du XXe siècle -- 2. Nabokov, Shostakovich and the view from the bridge -- 3. Articles of war: the Prague Manifesto and the Progressistes -- 4. Creative freedom or political obligation? Serialism and Stalinism in France -- 5. Culture and confrontation at the Théâtre des Champs-Elysées -- 6. Neither you nor they: the avant-garde and neutralité -- 7. Music and Sartrean commitment -- 8. René Leibowitz and the musician’s conscience -- 9. A forlorn hope: Sartre’s ’virtual’ audience -- 10. Serialism, scientism and the post-war world view -- Epilogue: the aftermath of L’Oeuvre du XXe siècle -- App.: the musical programme for L’Oeuvre du XXe siècle.en
dc.language.isoenen
dc.publisherCambridge University Pressen
dc.titleMusic and ideology in Cold War Europeen
dc.typeBooken
dc.publisher.placeThe Edinburgh Bldg, Cambridge CB2 2RU, UKen
pubs.publication-statusPublisheden
Appears in Collections:Aurora harvest 2
Music publications, scores & recorded works

Files in This Item:
There are no files associated with this item.
Show simple item record


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.